French actor-turned-director Guillaume Canet impressed with his debut Reggie Nelson Womens Jersey , Tell No One, but this follow-up is self-indulgent tosh
French film-maker Guillaume Canet scored a mammoth hit with 2006?s high-concept Tell No One, and then promptly suffered a crisis of faith and a bout of depression. His response is a grand act of unbottling, a personal cri-de-coeur, laughing through the tears as it trails a bunch of affluent thirtysomethings on a summer vacances to Cap Ferrat. Once the uggled in English-language films despite having been given opportunities to work with practically ever major filmmaker in America and Europe, feels here like a newcomer, or perhaps a comeback artist. The dull Christopher Nolan days are forgotten. Rather than playing some outsized femme fatale or object of desire, Ms. Cotillard nails the role of a woman afraid of her own future, and haunted by her past. Mr. Magimel does his part as well, in the story line in w t with longtime frie
By the time the film ends, the characters have all reckoned with their selfish heir apparent lightheartedness, and seemingly ironic fun, throughout seem almost savagely insouciant. The movie justifies, in some sense Kolton Miller Womens Jersey , its focus on the fun that Marie, Max and company have had when it finally indicts them for their cruelty to Ludo. While it takes some work and attentiveness to get to this point, the film volution into a critique of 30-something self-absorption makes it a small-scale success.